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Re: Hundar, a workhorse typeface for general and specialist usage
You have made some bold use of straight or nearly-straight lines in places I would not expect (a la Preissig), but tempered them more traditional curves and some serious swelling over the length of a…1 -
Re: Positioning of sups, subs, ordn and sinf
2) Subscripts should go some amount below the baseline, ~ straddling it. I normally do them about 1/3 of their height below the baseline, which is (or was) the Adobe practice. Subscripts should abso…1 -
Re: Futura PT Heavy's Weight Class
Ah, a missed opportunity there. Oh well. Since the InDesign dev moved from Seattle to India, I no longer have strong contacts with that team. I should try to re-establish those connections.1 -
Re: Futura PT Heavy's Weight Class
CSS and the web routinely use numeric weight class for font selection. InDesign and Creative Cloud apps use it for sorting styles by weight; at least, they used to. AFAIK, they do not normally use i…1 -
Re: How does a typeface "sparkle"?
I have generally suspected that it meant one or more of: * high thick/thin contrast, but with the thinnest bits being very or unreasonably thin * high contrast even within a stroke… generally meaning…3
